Pablo Neruda's TO WASH A CHILD

TO WASH A CHILD
by Pablo Neruda

Only the most ancient love on earth
will wash and comb the statue of the children,
straighten the feet and knees.
The water rises, the soap slithers,
and the pure body comes up to breathe
the air of flowers and motherhood.

Oh, the sharp watchfulness,
the sweet deception,
the lukewarm struggle!

Jose Garcia Villa's I CAN NO MORE HEAR LOVE'S

I can no more hear Love's
Voice. No more moves
The mouth of her. Birds
No more sing. Words
I speak return lonely.
Flowers I pick turn ghostly.
Fire that I burn glows
Pale. No more blows
The wind. Time tells
No more truth. Bells
Ring no more in me.
I am all alone singly.
Lonely rests my head.
—— O my God! I am dead.

Harry Potter 7 Theory {SPOILERS ALERT}

For those who haven't read Harry Potter and the Half-Blood Prince, STOP READING!!!

for those who have read HPHBP, or those who doesn't care about spoilers:

I think that D is not really dead. S might have had a previous or more powerful "Unbreakable Vow" with D with precedes or supercedes S's Unbreakable Vow with N.

OEDIPUS REX Plot

Exposition:
The city of Thebes is beset by a plague that is killing all the plants in the fields and the babies in their mothers’ womb. It is threatening Thebes' existence. The Delphic Oracle advises that in order to get rid of the plague, the murderer of its past king, Laius, be cast out of Thebes.

Conflict:
Teiresias, the blind prophet called to reveal the identity of Laius’ murderer names the king, Oedipus, as Laius’ murderer. This angers Oedipus and he becomes determined to inquire and know the identity of Laius’ murderer. There is man versus man conflict between Oedipus and Teiresias. When Oedipus also accuses Creon of conspiring with Teiresias to bring him down as king of Thebes, another man versus man conflict arises.

However, the more prominent conflicts in the story are Oedipus’ battle against his fate and his own pride. The man versus nature conflict between Oedipus and his fate is played out from his birth, running away from Corinth to “escape” his fate only to be lead to killing Laius and marrying Jocasta. Oedipus also plays out a man versus himself conflict when his pride causes him to irrationally accuse Teiresias and Creon of conspiring against him. More importantly, his pride and belief that he can save Thebes again leads him to self-destruction when his careful and exhaustive inquiry reveals his parentage and his crimes of parricide and incest.

Climax:
The messenger from Corinth reveals Oedipus’ true identity. The herdsman further reveals Oedipus’ parentage. The truth that the twice prophesized Oedipus’ murder of his own father and marriage to his own mother has indeed come to pass. As a result of these revelations, Jocasta kills herself and Oedipus blinds himself.

Dénouement:
Oedipus asks Creon to exile him from Thebes and to take care of his daughters. Oedipus leaves Thebes.

RENE LIZADA's Papa's Table

Rene Lizada spent most of his adult life sharing knowledge and wisdom as an English teacher at a local high school. But after years of teaching, he is now living the corporate life. He also conducts workshops and seminars for budding writers and is an active member to Toastmasters.

Lizada writes a column entitled "Papa's Table" for the Sunstar Davao. In his column, he shares serious and funny life experiences, anecdotes, lessons and other musings. He often narrates stories about his wife and his kids. His eldest, Miguel Lizada, also has a column at the same newspaper, entitled "Kuya's Table."

The older Lizada's topics vary, but his entries are always hearfelt and well-written. His column should be read, not only for the sake of reading, but to learn, as well. Not only the lessons his explicitly shares but also his impeccable command of the English language. Although he rarely uses highfalutin words, he always manages to capture through his words, his experiences, reactions and emotions.

Papa's Table is usually published in the Sunstar Davao Newspaper and Website every Monday, Wednesday and Friday.